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Fabric Options for Backgrounds/Backdrops and Chromakeying

In researching on the Internet, I have found many different opinions as to which fabric is the best to use for backdrops, which fabrics are best for greenscreening and bluescreening, and what fabrics last longer with or without paint, etc.

In my experience, it is easiest to go to a fabric store (or a store with fabrics in it, such as Wal-Mart) with some ideas in mind, and look through all the different fabrics to find something that suits your purposes. If you want a plain and simple background, there are many solid color backgrounds; if you want something more radical, you could get one of the many cartoon character backgrounds, a 'clouds' background, etc. Prices for different fabrics vary widely (especially depending upon the width of the fabric), and I usually like narrower (around 48") fabric, because it's easier to manage (and it fits in my car for portability better!).

But I will offer my advice on a few specific types of backgrounds and what fabric/thickness works best for them. Also, when selecting a fabric, you must keep in mind how the lights you use (whether they be $30 halogen worklights or $500 soft boxes) reflect off the fabric. If you need to, ask for a sample of the fabric (these are usually free) and take some pictures of it under different lighting conditions.

See my guide for lighting for photography and video (not yet posted) and lighting for green/blue screen compositing or chromakeying (not yet posted)

Fabric types/backgrounds:

• Muslin is a strong, sturdy fabric for painting on, or as a simple white or tan-colored backdrop. You can use acrylic or oil paints (found at art supply stores) or paints you can find at home-supply stores to make professional-looking backdrops for portraits and the like. The only problem with muslin is that it is prone to wrinkling (but this may not matter if you paint it. Be sure to wash the muslin right after you buy it and iron it to get out as many of the wrinkles you can. Make sure you buy PVC or metal piping that is sturdy enough to hold some of the thicker muslins. Do a Google search for 'paint muslin backdrop' to find out more.
  
  
• Cotton, one of the more common fabrics found in a fabric store, is fairly easy to keep clean, but not so easy to paint on. Cotton is best for solid dyed colors. Make sure you wash and iron the backdrop before rolling it, or the wrinkles may be very hard to remove!
  
  
• Rayon is a very lightweight fabric that can be had for a low price and is easy to transport, roll, and keep wrinkle-free. However, because it is so thin, you have to be careful when lighting it (sometimes lights behind the screen will make the lighting very uneven).
  
  
• Polyester is a very low maintenance fabric, and is relatively easy to keep wrinkle-free. Simply make sure you've washed and dried it, then take it out as soon as you can to avoid wrinkles. Light reflects off polyester a little brighter than most cottons, so make sure you account for that when lighting backdrops. You can purchase polyester in many different thicknesses (and many different prices); make sure your backdrop support frame is sturdy enough to hold it.
  
  
• For Compositing: Professionals usually have access to professional-quality blue and green paints and fabrics for building high-quality backdrops. However, the average photographer or videographer does not have so much money. In my experience, the 'greenest green' or 'bluest blue' you can find will work fairly well (especially for photographs which you'd like to edit in Photoshop).